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Sutra The Good News of Athens Yoga Center ------------------------------------------------------------------ Summer 1999, Volume 3, Issue 3; Web Edition
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SHALL WE DANCE? According to the PeaceWorks International Network website Dances of Universal Peace were brought together in the late 1960's by Samuel L. Lewis (1896-1971), a Sufi Murshid (teacher), Rinzai Zen Master, and student of the mystical traditions of Hinduism, Judaism, and Christianity. Lewis was deeply influenced by two individuals: Hazrat Inayat Khan, who brought Sufism to the West in 1910, and Ruth St. Denis, a feminist pioneer in modern dance. Lewis' vision for the Dances was to promote "peace through the Arts". The number of Dances has since grown from his original 50 to more than 500 dances from various world traditions. The movements and songs include themes of peace, healing and the celebration of life's mysteries. Through the Dances participants open to the spiritual essence within themselves. Ellen Johnson, former Athens resident who frequented AYC evening meditations interviewed Eric Akbar Manolson of Decatur, Georgia, an Apprentice Mentor with the Mentor Teachers Guild for the Dances of Universal Peace. Manolson will lead as the Dances of Universal Peace come to AYC Sunday, May 30th.
What are the Dances of Universal Peace?
What are some examples of the sacred phrases and songs that you use?
You have done these dances in India, South Africa, and other places,
working with people who may come from backgrounds with a painful history
between them, like dancing with Germans and Jews at concentration camps
in Poland. How do the Dances bring about a change?
Some dances are circle dances and some dances are partner dances.
The first time I danced, I was taken by the way the other dancers looked
into my eyes.
How do the Dances of Universal Peace fit in with the work of the
Athens Yoga Center?
HEART OF SUTRA:
By Dr. Rich Panico
In the first Sutra, (Sutra, Sept-Oct 1998) we learned that Patanjali's
book was a living path that recognized you personally, warmly welcomed
you and offered its guidance on your journey to know the true Self. The
Self embraces itself.
Patanjali wastes no time and opens his exposition with the central goal of Yoga. He also couches this in the most pragmatic and accessible terms. 1.2 YOGAH CITTA VRITTI NIRODHAH
Sri Swami Satchidananda, a living master of Yoga says about this Sutra
" The astute student needs only this statement to attain union…." This
sutra refers to an eastern psychology that today is in radical dialogue
to our own ideas about mind structure and the definition of the self. For
the Yoga practitioner, Self is pure consciousness (without object, idea,
or structure) and the mind is an emergent or reflection of that consciousness.
The mind is in constant movement and activity. It constructs deconstructs,
stabilizes, motivates, differentiates, watches, interprets and comments.
Patanjali calls these movements vritti's or whirlpools. The eight-stage
path of Yoga was designed to still these whirlpools, making the mind a
crystal clear pool through which the Self is visible and accessible to
experience (literally Yoga means 'Union with').
Dr. Rich Panico is a Board Certified Psychiatrist at Northeast Georgia Center in Athens. He teaches Hatha Yoga at AYC. |
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THE DIDGERIDOO The didgeridoo, a drone instrument purported
to have originated in Arnhem Land, Australia about 40,000 years ago, may
well be the oldest form of musical instrument known to humankind. Created
from the limbs of the eucalyptus and gum tree and naturally hollowed out
by white ants and termites, no two didgeridoos sound the same. The didgeridoo
was traditionally played only by males during ceremony, and was often to
communicate with other tribes.
Phil Jones currently serves on the Board of Directors for the Spirit of the Land Foundation in Australia, a non-profit organization that endeavors to preserve Aboriginal culture and bring the Aborigines' message of sustainability and healing to the world. He is also affiliated with Dr. Deepak Chopra's The Chopra Center for Well Being in San Diego, California. |
Putting
the "THA"
in
Hatha
(Part I) Savasana
By John Hawkins
"Zero
Is where the Real Fun Starts.
There's too much counting
Everywhere Else"
- Hafiz
Assembled by
the two words: "Ha" meaning sun and "tha" meaning moon, Hatha contains
metaphors for the active and passive portions of our practice. It is different
from our other physical activities where we exert and exert; breaking down
old structures. In Hatha we also exert, but then we relax, both in the
postures and in between each posture. Relaxation puts the power in Hatha,
teaching us the stillness in our being. It completes the interchange between
anabolism and catabolism.
In this and future issues of "Sutra" we will explore the "tha" of Hatha
Yoga, the passive form of our practice. We will see why savasana is the
most difficult asana, how Yoga Nidra is important and how to expand the
benefits of Yoga Nidra beyond the physical using a practice called "Sankalpa."
SAVASANA
In her book
"Hatha
Yoga, The Hidden Language" Swami Sivananda Radha invites us to look
at the power behind the names of asanas. "Particularly those asanas that
are named after animals show that in no time is a human being disconnected
from creation." Designations of animals, plant life, forms of nature or
even simple technologies in each asana reflect observations of the outside
world, showing powers mirrored within each of us. Tadasana (mountain) reveals
our sturdiness. Bhujangasana (cobra) allows us to uncoil from old patterns.
Vrikshasana (tree) helps us find balance and roots between heaven and earth.
Swami Sivananda Radha says that savasana takes its name from the most
powerful aspect of our lives, "through which we discover the most threatening
thoughts that are roaming the murky waters of the mind." Savasana translates
as the corpse pose and in this posture we emulate death.
She goes on to state that in the quietness of savasana, "we open ourselves
to the inner forces that give us renewed strength and inspiration to continue
on the Path. But the greater spells of rest and darkness experienced in
death are needed to find the purpose for a new life, to make a dedication
of the spirit that wants to be born again and take up the duty not yet
fulfilled."
Old patterns and worn out structures are put to death in savasana.
In this posture we learn to release, to let go of resistance. A corpse
does not resist, yet in our lives we use an incredible amount of energy
for resistance. In Savasana we consciously cease resistance and the mind
begins to settle.
Students often find relief in savasana after a difficult practice,
yet they should beware. "It looks deceptively simple," we read in "The
Sivananda Companion to Yoga", (p.24) …" but it is in fact one of the
most difficult asanas to do well and one which changes and develops with
practice." However, when done well the pose "removes all stress from the
spine, and restores its natural symmetry. The sacrum pushes the pelvis
upward, allowing it to open at the sides under the pull of gravity, resting
the intervertebral discs completely." (p.181.)
Relaxation is a learned response, not exhaustion from which we crash
onto our mats. Instructors of upper level classes at AYC leave less time
for savasana in between each pose. The reasoning behind this is so often
misunderstood. They are not only making room for a more active practice,
they understand that each student has progressed enough to reach relaxation
quicker and gain deeper access to that stillness in between and within
each posture. Over time the yogi learns to reach that same relaxation in
daily life.
When we relax Hatha style; when we truly reach that "tha" in Hatha
we consciously bring our bodies and minds to rest. Through the practice
of savasana an incredible power surges in our lives, a power that restores
us to health and to a renewed and fresher outlook.
John Hawkins instructs Hatha Yoga at AYC and is the publisher and editor of "Sutra."
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SAGE'S CORNER ""Health, not disease, is our birthright.
Sri Swami Satchidananda |
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