Sutra
The Good News of Athens Yoga Center
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Summer 1999, Volume 3, Issue 3;
Web Edition



 
 

 

Our Song and Dance:
From the Editor
 

Maybe it's the Spring weather, but AYC's song and dance this season is…well, song and dance! We have events coming to the Center to lift the joy right out of our mucky everydayness. That joy has been trapped in a long winter nap for most of us, but these activities will pull it out, unraveling our knots and awakening our spirit.

In a May workshop Phil Jones will not only serenade us on the didgeridoo he will allow participants to experience the sound and vibration of what could be the oldest musical instrument known to humankind. 

In the same month Eric Akbar Manolson will give us the opportunity to move with our spirit through dances taken from a multitude of spiritual mystical traditions. This month's issue has an interview with Eric about the Dances of Universal Peace.

"Sutra" explores other aids to our dancing spirits. Rich Panico continues his series on "The Heart of Sutra" looking at what many say is the sutra that is most central to the yogi's lifestyle. We also investigate the "Tha" in Hatha Yoga to understand the importance of the passive portions of the practice.

May this issue impel you to not only think and reflect, but to sing and dance. 
- John Hawkins Editor

THE
SHALL
WE
DANCE?
 

According to the PeaceWorks International Network website Dances of Universal Peace were brought together in the late 1960's by Samuel L. Lewis (1896-1971), a Sufi Murshid (teacher), Rinzai Zen Master, and student of the mystical traditions of Hinduism, Judaism, and Christianity. Lewis was deeply influenced by two individuals: Hazrat Inayat Khan, who brought Sufism to the West in 1910, and Ruth St. Denis, a feminist pioneer in modern dance. Lewis' vision for the Dances was to promote "peace through the Arts". The number of Dances has since grown from his original 50 to more than 500 dances from various world traditions. The movements and songs include themes of peace, healing and the celebration of life's mysteries. Through the Dances participants open to the spiritual essence within themselves. Ellen Johnson, former Athens resident who frequented AYC evening meditations interviewed Eric Akbar Manolson of Decatur, Georgia, an Apprentice Mentor with the Mentor Teachers Guild for the Dances of Universal Peace. Manolson will lead as the Dances of Universal Peace come to AYC Sunday, May 30th. 



What are the Dances of Universal Peace?
The Dances of Universal Peace, sometimes called "Sufi dancing," are a form of interactive movement that is experienced in a circle of people. There is no difference between participants and spectators. Everyone can join in, whether or not you have prior dance experience. We learn together simple songs and chants that come from many different cultures and different spiritual traditions, and we learn simple movements. Together it creates a quality of blessing and joy deepening between people and within an individual, and a tangible atmosphere of peace. 

What are some examples of the sacred phrases and songs that you use?
There's a selection of 400 or 500 dances that have been developed over the last 30 years. We could take as an example "Om Sri Ram Jai Ram Jai Jai Ram," a mantra that comes from India, in Sanskrit, which is basically praising the name of God and calling in that presence of a clear and strong joyfulness of God's presence or Ram's presence amongst us. We have some chants where we say "Er-rahman, Er-rahim". These are two qualities of Allah from the Islamic tradition, sometimes called the sun of love and the moon of love, or divine compassion and divine mercy. We have a phrase "Shalom Aleichim" in Hebrew that means "Peace be with you." We have others from the Buddhist tradition, and we have chants in English that come from Celtic tradition, from Jewish tradition, and from Christian tradition, and so on. 

You have done these dances in India, South Africa, and other places, working with people who may come from backgrounds with a painful history between them, like dancing with Germans and Jews at concentration camps in Poland. How do the Dances bring about a change?
In most of the situations, there's been a will to come closer together, and that will is brought from the mind level into the heart level through the Dances. There's always a leap or barrier that people have to go through in order to experience that. For some people that barrier is passed very smoothly and gently, but for other people there may be more resistance. The Dances have a quality of harmonizing and bringing together different viewpoints in a way that gets through the mind stuff that separates us. I was very honored to be at a community outside of Jerusalem which was bringing together Palestinians from the West Bank and Israeli citizens. The organizers of that seminar told me that what I did with the Dances was a miracle. I hear that kind of response quite regularly. It's always moving. Sometimes it's more joyous, sometimes it's more deep, sometimes it appears that less is happening, as far as a tangible feeling of transformation, and sometimes it feels like there's a lot more, but there's always something happening. 

Some dances are circle dances and some dances are partner dances. The first time I danced, I was taken by the way the other dancers looked into my eyes.
We often use partner dances, but the partners keep changing. It is a great way for people to connect, meet other people, and have a meaningful and really enjoyable contact, a sense of knowing one another in a very short time. There is a kind of bond there that lasts. There can be a lot of depth and honesty there because we're not using words so much, too, and it's a real atmosphere of good-heartedness and joy and also safety. We are reflections of one another. In partner dances, we open our eyes to see the godliness, the beauty, the God or Goddess, in the other person. So if you're less comfortable about seeing that in yourself, then you'll be less comfortable about seeing it in the other and having that reflected back. But that's okay. We're encouraged to be present to our own self and to our own higher self in the Dance. The more present you are, the more you'll be able to receive. 

How do the Dances of Universal Peace fit in with the work of the Athens Yoga Center?
I see the Dances as a form of yoga. It's a form of union, integrating body, mind, spirit, and heart. I think people who are doing yoga will really enjoy this and find that it can benefit their practice. It will enliven your own sense of Atman, of the true self within the self. We hope people will choose to come to the workshop and share of themselves and bring their significant others and their friends. 


HEART OF SUTRA:
Sutra 1:2


By Dr. Rich Panico 
In the first Sutra, (Sutra, Sept-Oct 1998) we learned that Patanjali's book was a living path that recognized you personally, warmly welcomed you and offered its guidance on your journey to know the true Self. The Self embraces itself.
Patanjali wastes no time and opens his exposition with the central goal of Yoga. He also couches this in the most pragmatic and accessible terms. 

1.2 YOGAH CITTA VRITTI NIRODHAH
Yoga is the restraint of the modifications of the mind stuff.

Sri Swami Satchidananda, a living master of Yoga says about this Sutra " The astute student needs only this statement to attain union…." This sutra refers to an eastern psychology that today is in radical dialogue to our own ideas about mind structure and the definition of the self. For the Yoga practitioner, Self is pure consciousness (without object, idea, or structure) and the mind is an emergent or reflection of that consciousness. The mind is in constant movement and activity. It constructs deconstructs, stabilizes, motivates, differentiates, watches, interprets and comments. Patanjali calls these movements vritti's or whirlpools. The eight-stage path of Yoga was designed to still these whirlpools, making the mind a crystal clear pool through which the Self is visible and accessible to experience (literally Yoga means 'Union with').
Another way to picture this is to imagine that life is about the evolution of consciousness. Consciousness in its original state is latent. It seeks to know itself and creates a vehicle to do so. Consciousness awakens, and begins a journey developing a more and more sophisticated vehicle of awareness. The residue or byproduct of this process is what we call the world. Consciousness is constantly moving out of its latency and emerging into the world as energy. It evolves into space and form gaining more complex integration; gas, mineral, vegetable, animal until it reaches an organizational state that has the capability of full awareness, the human. At this point consciousness, which has evolved the 'vehicle of consciousness' the mind, becomes involute. Consciousness moves inward to find and experience it's true Self. 
When we reach the human state we are literally covered over with the residue our journey. We are embedded in our world. We have identities, bodies, philosophies, location, relationships and are even subject to the physical and biological laws of this contingent world that we have created. Patanjali's Sutras help of recognize this world as contingent and lead us to experience a truer state of Being.
The world is like dense scaffolding we have erected to help us build a home for consciousness. Our problem is that we choose to live or get lost in the scaffolding and forget to move into our home. "Still the mind" means move through the scaffolding of the mind and take your seat in your home, the True Self. 

Dr. Rich Panico is a Board Certified Psychiatrist at Northeast Georgia Center in Athens. He teaches Hatha Yoga at AYC. 


 

THE DIDGERIDOO

The didgeridoo, a drone instrument purported to have originated in Arnhem Land, Australia about 40,000 years ago, may well be the oldest form of musical instrument known to humankind. Created from the limbs of the eucalyptus and gum tree and naturally hollowed out by white ants and termites, no two didgeridoos sound the same. The didgeridoo was traditionally played only by males during ceremony, and was often to communicate with other tribes. 
It is said that the didgeridoo can be heard from a distance of 500 miles. The vibrational sound of the didgeridoo has a unique healing quality, and combined with the circular breathing techniques, it creates a harmonic resonance within the person playing it, as well as in those who are listening nearby.
On Sunday, May 16 from 3 to 5:30 pm Phil Jones will give a workshop at the AYC on the ancient musical instrument. Phil has, since 1966, performed extensively throughout the world. He has spent considerable time in his native country of Australia learning the didgeridoo from the Aborigines. Already having an appreciation for the healing qualities of Hindu chants, Phil recognized similar vibrational characteristics in the didgeridoo. 
The workshop will not only open the ears of participants to the ancient didgeridoo sound, but allow each individual the chance experience that sound first hand. Join us as we learn the healing effects of the didgeridoo. Cost is only $19.50 and pre-registration is requested.

Phil Jones currently serves on the Board of Directors for the Spirit of the Land Foundation in Australia, a non-profit organization that endeavors to preserve Aboriginal culture and bring the Aborigines' message of sustainability and healing to the world. He is also affiliated with Dr. Deepak Chopra's The Chopra Center for Well Being in San Diego, California. 

Putting the "THA"
in Hatha
(Part I) Savasana
By John Hawkins

"Zero
Is where the Real Fun Starts.

There's too much counting
Everywhere Else"

- Hafiz

Assembled by the two words: "Ha" meaning sun and "tha" meaning moon, Hatha contains metaphors for the active and passive portions of our practice. It is different from our other physical activities where we exert and exert; breaking down old structures. In Hatha we also exert, but then we relax, both in the postures and in between each posture. Relaxation puts the power in Hatha, teaching us the stillness in our being. It completes the interchange between anabolism and catabolism.
In this and future issues of "Sutra" we will explore the "tha" of Hatha Yoga, the passive form of our practice. We will see why savasana is the most difficult asana, how Yoga Nidra is important and how to expand the benefits of Yoga Nidra beyond the physical using a practice called "Sankalpa."

SAVASANA
In her book "Hatha Yoga, The Hidden Language" Swami Sivananda Radha invites us to look at the power behind the names of asanas. "Particularly those asanas that are named after animals show that in no time is a human being disconnected from creation." Designations of animals, plant life, forms of nature or even simple technologies in each asana reflect observations of the outside world, showing powers mirrored within each of us. Tadasana (mountain) reveals our sturdiness. Bhujangasana (cobra) allows us to uncoil from old patterns. Vrikshasana (tree) helps us find balance and roots between heaven and earth.
Swami Sivananda Radha says that savasana takes its name from the most powerful aspect of our lives, "through which we discover the most threatening thoughts that are roaming the murky waters of the mind." Savasana translates as the corpse pose and in this posture we emulate death.
She goes on to state that in the quietness of savasana, "we open ourselves to the inner forces that give us renewed strength and inspiration to continue on the Path. But the greater spells of rest and darkness experienced in death are needed to find the purpose for a new life, to make a dedication of the spirit that wants to be born again and take up the duty not yet fulfilled."
Old patterns and worn out structures are put to death in savasana. In this posture we learn to release, to let go of resistance. A corpse does not resist, yet in our lives we use an incredible amount of energy for resistance. In Savasana we consciously cease resistance and the mind begins to settle.
Students often find relief in savasana after a difficult practice, yet they should beware. "It looks deceptively simple," we read in "The Sivananda Companion to Yoga", (p.24) …" but it is in fact one of the most difficult asanas to do well and one which changes and develops with practice." However, when done well the pose "removes all stress from the spine, and restores its natural symmetry. The sacrum pushes the pelvis upward, allowing it to open at the sides under the pull of gravity, resting the intervertebral discs completely." (p.181.)
Relaxation is a learned response, not exhaustion from which we crash onto our mats. Instructors of upper level classes at AYC leave less time for savasana in between each pose. The reasoning behind this is so often misunderstood. They are not only making room for a more active practice, they understand that each student has progressed enough to reach relaxation quicker and gain deeper access to that stillness in between and within each posture. Over time the yogi learns to reach that same relaxation in daily life.
When we relax Hatha style; when we truly reach that "tha" in Hatha we consciously bring our bodies and minds to rest. Through the practice of savasana an incredible power surges in our lives, a power that restores us to health and to a renewed and fresher outlook.

John Hawkins instructs Hatha Yoga at AYC and is the publisher and editor of "Sutra."

 

SAGE'S CORNER

""Health, not disease, is our birthright. 
Strength, not weakness, is our heritage. 
Courage, but not fear. 
Peace, but not restlessness. 
Knowledge, but not ignorance. 
Bliss, but not sorrow." 

Sri Swami Satchidananda


 



 
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